Colin is now sullen, withdrawn, uncommunicative, and needy. This is a relative term for a character characterized by its awkwardness. The former Baby Colin hits the “awkward age,” as Laszlo puts it. The creature which crawled out of the abdominal cavity of Colin Robinson (Mark Proksch) had a major growth spurt at the end of “Freddie,” and is now breaking hearts like the teenaged nightmare he’s become. For all the frank speak and unabashed honesty which comes out of the vampires’ mouths, they are too self-concerned to give or receive messages from anyone but themselves. Like most great ideas coming from the vampires on Staten Island, the project fails because of missed opportunities and miscommunications. But it is not as spiritually offensive as having Mahatma Gandhi (Murli Nedungadi) read out an advertisement for steaks. The vampires’ relationship with god is milked for inspired amusement, from the moment the offensive word is crossed out of Are You There, It’s Me, Margaret, and culminates in one particularly classic comedy scene.
But as Laszlo says, people or vampires make plans and the “guy upstairs” has other ideas. Who wouldn’t want to ask Murasaki Shikibu (Yui Ugai), the lady-in-waiting at the ancient Japanese Imperial court and inventor of the novel form, where she got her ideas?Īmong the reanimated celebrities are Leonardo Da Vinci (Felipe Aukai), Scott Joplin (Sam Asante), Che Guevara (Victor Ayala) and after a little tinkering, it seems like a genuinely workable plan. She spits when she learns the Guide has been studying ancient, forbidden, texts on witchcraft, but is pleased to know celebrated dead people can be brought back to life for short periods of time to boost attendance. Nadja may be undead, but she is still superstitious. The largest holder is some rich computer guy, but that’s not the creepy part. The Guide holds the second largest collection of dead souls in the U.S. While it is a major and dangerous secret, the crew captures the plan to save the club. The crew are even chased out for a few scenes during the installment, though they never go too far. The camera crew of the mockumentary setting has more of a presence in this episode, after losing an opportunity for the two crews to interact in the “Go Flip Yourself” episode.
The Guide’s (Kristen Schaal) suggestion to save the club also contains a mix of fright and fancy, a winning combination bound to lose. This ironically seems like far too frightening a place for the dread-inducing servants of death. But it’s a memory Nadja might want to erase.ĭesperate times call for desperate measures, like sending the Wraiths to Universal Orlando Resorts for a vacation.
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It sows the seeds for years of petty grievances, the kinds vampires on the series love.
It is an unforgettable performance for the stage audience. Matt Berry turns contempt into celebration without inviting anyone to the party. The montages of the club’s demise into children’s entertainment hit comic sweet spots, but the highlight is the song Laszlo hits the crowd over the head with. Like the vampire club Nadja’s, which lost its bite and is now bleeding out cash, with no nutritional value beyond whatever fluids human improv comedy troupes bring from outer space.
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